Image Credit: Office for Metropolitan History
Christopher Gray was a major figure in the rising swell of interest in New York City architectural history that began in the aftermath of the demolition of Pennsylvania Station. With a degree in Art History from Columbia in 1975, Chris founded the Office of Metropolitan History that same year to provide research services to historic architectural questions. His research provided historical accuracy to many publications, thereby raising the standards for the field. He became widely known to the public for his column Streetscapes that ran from 1987 to 2014, one of the highlights of the Sunday New York Times Real Estate section. Chris and his staff from the OMH, Suzanne Braley, Melissa Braverman, and Samantha Hightower, were frequently seen at Avery pursuing countless citations, photographs, and drawings.
Avery Library extends its sympathy to his wife, Erin D. Gray, a graduate of Columbia University’s Historic Preservation program, and his family.
New York Times Obituary
Architects Newpaper Obituary
The North American paint & varnish industry, as it expanded, left us with an amazing assortment of colorful vintage objects—cans, sample sets, store displays and advertising signs.
Avery Library in collaboration with private lenders, is pleased to present WET PAINT!! The exhibit displays items dating from the mid-19th to the mid-20th century and is designed to complement the Avery Classics exhibit: “Color Harmony in the Home: American Paint Publications from 1870-1950” which showcases a selection of items from Avery’s extensive trade catalog and brochure collection.
Lenders to WET PAINT!! are: Mary Jablonski, Judith M. Jacob, Norman R. Weiss and Adam Woodward. Exhibit installation was done with the assistance of GSAPP Historic Preservation graduate students Tania Alam, Alex Ray and Katrina Virbitsky.
This exhibition is presented to coincide with the 6th International Architectural Paint Research Conference hosted by Columbia University GSAPP in New York City from March 15 to 17, 2017.
Both exhibitions are on view in Avery Library through April 25th.
For details and information on visiting the exhibits, contact: Avery Classics
Avery Classics recently acquired a complete set of the Dutch magazine Utopia: Tweemaandelijks tijdschrift voor wetenscahpp amusement (Utopia: Bi-monthly for scientific entertainment). Utopia was published between 1975 and 1978 in Delft. Obviously influenced by Archigram‘s style, each issue features a unique format with illustrations drawing on contemporary trends such as Pop Art. The magazine explores broad cultural trends like television and architectural topics such as Dutch pavilions for world exhibitions or a proposal for a working community in the water tower complex in Rotterdam.
Rafael Aranda, Carme Pigem and Ramon Vilalta have been selected as the 2017 Pritzker Architecture Prize Laureates.
Known for their highly collaborative practice, the three architects’ work makes use of modern materials including steel and plastic, contextualized to local environments.
The 2017 Pritzker Prize Jury Citation states, in part: “we live in a globalized world where we must rely on international influences, trade, discussion, transactions, etc. But more and more people fear that because of this international influence…we will lose our local values, our local art, and our local customs…Rafael Aranda, Carme Pigemand Ramon Vilalta tell us that it may be possible to have both. They help us to see, in a most beautiful and poetic way, that the answer to the question is not ‘either/or’ and that we can, at least in architecture, aspire to have both; our roots firmly in place and our arms outstretched to the rest of the world.”
New York Times
Pritzker Prize homepage