Category Archives: Events

Photograph of the exhibit case housing the Dietrich Bonhoeffer Nachlass microfiche collection exhibit

Dietrich Bonhoeffer on Microfiche: the Nachlass Collection

“Microfiche is cool” is a sentence one rarely hears any more, in the Internet age. Yet I am constantly reminded of the astonishing efficiency of microformatting, when researchers ask to see the collection of primary-source materials of Dietrich Bonhoeffer—noted German theologian, pastor, and anti-Nazi dissident, and onetime student at Union Theological Seminary—preserved on microfiche, collectively known as the Nachlaß (“Nachlass,” or Estate) collection. This microfiche collection is decidedly cool—so much so, in fact, that we decided to create an entire exhibit about it.

The Nachlaß includes many of Bonhoeffer’s early writings and personal papers, his research notes, and letters from prison. Most of Bonhoeffer’s original manuscripts and papers have been preserved in the Staatsbibliothek zu Berlin, with some primary documents in English kept here at the archives of the Burke Library at Union Theological Seminary. These two libraries possess the only two known copies of the complete Nachlaß microfiche collection in the world (that our staff is aware of), making this collection both unique and invaluable to researchers. Each “twin set” of microfiche contains an enormous quantity of material: several thousand fragile documents, condensed into a breadbox-sized collection of roughly 300 plastic fiche cards. The Nachlaß is one of the most frequently-used microfiche collections at the Burke Library.

Photograph of a microfiche card from the Dietrich Bonhoeffer Nachlass collection of primary-source documents

Photograph of a microfiche card from the Dietrich Bonhoeffer Nachlass collection of primary-source documents. Archives of the Burke Library at Union Theological Seminary, Columbia University Libraries.

What is microfiche, exactly? (Those who have always lived in the same world as the Internet, after all, might never have heard of it before.) Well, microform technology—including microfiche cards and microfilm reels—originated in the early 1800s with the advent of photography. It became widely popular in libraries and archives in the mid-20th century as a reproduction and preservation medium (before the days of Internet digitization and online exhibits). Documents are photographed and printed as tiny images, which can then be inserted in a reader machine and enlarged on large reader screens, allowing readers to view and skim materials at a relatively fast pace. Microform plastic is sturdy, durable, and highly portable (think: a single plastic fiche card containing 80 document images, compared to a folder of 80 loose sheets of paper). Images of documents on microfiche can be seen by a large audience, while the original fragile documents are kept in archival storage. Microfiche was one of the original digital media! Thousands of printed books and journals have been microformatted, as have several rare manuscripts and primary-source collections—such as the Bonhoeffer Nachlaß


Collecting and preserving Dietrich Bonhoeffer’s papers and creating the Nachlaß collection was a monumental undertaking. Following Bonhoeffer’s death in 1944, his letters and documents were meticulously collected by his close friend Eberhard Bethge, in collaboration with the Bonhoeffer family. Bethge devoted much of his life to editing and publishing Bonhoeffer’s works, such as the Letters and Papers from Prison and Ethics, and wrote the first biography of his professor, Dietrich Bonhoeffer: Man of Vision, Man of Courage in 1967. Amidst the subsequent surge of interest in Bonhoeffer, it was Bethge, along with his colleague Dietrich Meyer, who spearheaded the idea of creating a microfiche collection of Bonhoeffer’s papers, for use at “various Bonhoeffer research centers” in the 1980s. The Burke Library acquired the microfiche collection with the facilitation of Professor Clifford Green, Bonhoeffer Chair Scholar at Union Theological Seminary, and former Burke Library archive specialist Ruth Cameron. Now researchers can have eyes on original primary-source documents, written in Bonhoeffer’s own hand, via the microfiche copies, while the originals are housed in storage.

Page from a notebook belonging to Dietrich Bonhoeffer

A page of Dietrich Bonhoeffer’s handwritten notes for a course, “Religion and Ethics,” taught by Reinhold Niebuhr at Union Theological Seminary in the early-1930s, imaged from the Nachlass microfiche collection. Archives of the Burke Library at Union Theological Seminary, Columbia University Libraries.

Our newest exhibit showcases some rarely-seen materials from Bonhoeffer’s days as a student at Union Theological Seminary in the early-1930s, such as the above image of handwritten notes Bonhoeffer took in a “Religion and Ethics” course taught by Reinhold Niebuhr, enlarged and printed from Nachlaß microfiche onto plain 8.5 by 11 inch white paper. This medium reflects the mode in which researchers view microformatted primary-source materials today, and we hope this exhibit raises questions and curiosity about accessibility, duplication, and preservation in the 20th century and the Internet era. 

Photograph of the exhibit case housing the Dietrich Bonhoeffer Nachlass microfiche collection exhibit

Photograph of part of the exhibit case housing the Dietrich Bonhoeffer Nachlass microfiche collection exhibit at the Burke Library at Union Theological Seminary.

The original documents are housed in the Dietrich Bonhoeffer Primary Sources collection in the Burke Library Archives. The exhibit is currently on view at the Burke Library at Union Theological Seminary, 3041 Broadway, on the ground floor (Level L1) exhibit space. It will be on view through January 2020.


Never Enough Singing!

Never Enough Singing is the title of the Festschrift published in 2011 on the occasion of Seth Kasten’s retirement from the Burke Library. It is among the items featured in the inaugural exhibit in the Seth Kasten Memorial Exhibit Case.

Seth (1945-2017) was a reference librarian at the Burke for more than 35 years. In that time, he helped countless students, faculty, and visiting researchers from near and far. Alongside his devotion to the library and its collections, Seth was a passionate musician and choir leader, founding and conducting the annual choir at the American Theological Library Association conference as well as the men’s and women’s scholas at Union. For decades he worked as an organist at many churches around the city. His wide interests made him an avid explorer and he took numerous trips to Europe, the Middle East, and South Asia. This exhibit draws from the Burke’s special collections that Seth did so much to care for and share, and reflects his deep love for music, liturgy, and travel. Please come by a have a look!

Part of the Burke’s celebrated Missionary Research Library Collection, this work translates an early section from the ancient Indian Sanskrit epic, the Ramayana. Though it resembles writing, the text is printed.

This manuscript on paper contains chants for the liturgy of the Roman Catholic Mass. The musical notation is nagelschrift, an early modern form so-named for its resemblance to a horseshoe nail (nagel). This book was part of the collection of Leander van Ess, the core library of Union Theological Seminary at its founding in 1838.


The Burke Library Goes International

One of the great joys of working at an educational institution is the chance to meet and interact with students, teachers, and researchers from all over the world. At the Burke, that kind of interaction usually takes place when people come to visit us in New York City. But recently I had the distinct pleasure of bringing a little piece of the Burke overseas to the wonderful town of Provins, France.

The Fonds ancien et Archives de Provins. (Photograph by Jeffrey Wayno, 2019)

The Fonds ancien et Archives de Provins. (Photograph by Jeffrey Wayno, 2019)

Provins, which is situated a little more than 50 miles to the southeast of Paris, is a town of about 12,000 people. Since 2001, it has been listed as a UNESCO World Heritage Site because of its remarkably well preserved medieval architecture, which includes its twelfth-century walls, a massive fortified tower at the center of the Upper Town, and several beautiful medieval churches. The town is also home to the Fonds ancien et Archives de Provins, the local municipal library and archive which houses, among its many treasures, a magnificent collection of medieval manuscripts and documents. In 2009, Columbia University and City of Provins forged a special partnership, which has given students and scholars at Columbia access to Provins and its many historical sites and cultural artifacts.

Workshop participants examine medieval documents and liturgical manuscripts held in Provins (photograph by Jeffrey Wayno, 2019)

Workshop participants examine medieval documents and liturgical manuscripts held in Provins (photograph by Jeffrey Wayno, 2019)

In the summer of 2010, just after the first year of my doctoral program in medieval history, I had the good fortune to be among the very first researchers to visit Provins from Columbia. I spent three weeks in July exploring Provins’ archive and the manuscripts it contained. Two weeks ago, after almost a decade-long absence, I had the good fortune to return to that same archive to help lead a special workshop on medieval documents and liturgical manuscripts. Organized by Susan Boynton, Professor of Historical Musicology at Columbia, the workshop brought together eight graduate students past and present (from Columbia and Union Theological Seminary!) who share an interest in the history, music, and religious culture of medieval Europe. Over eight days, we dug into the contents of more than a dozen medieval manuscripts, learned from one another, and shared laughs and a good helping of fellowship over many meals.

Jeffrey Wayno (standing) with graduate students from Columbia and Union Theological Seminary (seated) during the workshop. Photograph by staff at the Fonds ancien et Archives de Provins (2019).

Jeffrey Wayno (standing) with graduate students from Columbia and Union Theological Seminary (seated) during the workshop. Photograph by staff at the Fonds ancien et Archives de Provins (2019).

The entire week in Provins was great success, in large part due to the organization and tireless hospitality of two individuals: Susan Boynton and Luc Duchamp, the longtime director of the Fonds ancien et Archives de Provins. But as the week progressed, I was also reminded how the best kind of intellectual experiences are often determined by the people who take part in them—and how the best kind of learning is often communal—and collaborative—in nature. What made this workshop both special and also productive was the group itself. Yes, our daily work sessions in the archive were always interesting and thought-provoking, simply because of the manuscript material displayed before us. But it was also our conversations over dinner or while walking around town in search of the best almond croissants, that we bonded over our shared love of a remarkable period in history. By the end of the week, our discussions, which were as wide-ranging as they were interesting, flowed freely from the library to the restaurant, from the work table to the dinner table.

Participants on the last day of the workshop. Photograph by staff at the Fonds ancien et Archives de Provins (2019)

Participants on the last day of the workshop. Photograph by staff at the Fonds ancien et Archives de Provins (2019)

Many people who pass through the halls of today’s universities never realize how the very word university (from the Latin “universitas”) is imbued with the idea of community and shared experience. The university is a product of the medieval world, a time when collectivism in many ways trumped the individualism that has become the norm today. Even as someone who studies the Middle Ages, I am not sorry that the medieval period is behind us. But I do hope that the very medieval notion of a shared intellectual community—universitas—lives on. In our busy lives, it is easy to lose sight of the importance of making the process of intellectual discovery a truly shared enterprise. Two weeks ago, in Provins, a group of us did our best to keep that torch of intellectual discovery aflame. And we are already hoping to plan a second installment of this workshop next year. -JMW

Color Our Collections at the Burke Library

For the second year in a row, the Burke Library participated in a worldwide weeklong initiative to spread awareness and engagement with Special Collections known as Color Our Collections.

Poster for Color Our Collections, February 2019. Image resembles a colored-in picture from a medieval manuscript of two people drawing.

Poster for Color Our Collections Week 2019 (http://

In this series of events, initiated by the New York Academy of Medicine, libraries and museums around the world upload black-and-white versions of images in their Special Collections to create unique coloring books for users to color-in with pencils. (Coloring, traditionally an activity associated with young children, has grown in popularity among adults of all ages in recent years, for its relaxation effects and impact on mindfulness and calm; many bookstores now carry coloring books for adults, and lately I have seen multiple people my own age coloring in coloring books on airplanes.) During Color OurCollections Week, many institutions host coloring events and offer printed versions of their coloring books. Guests can attend these coloring events or visit and download coloring books from libraries and museums around the world. Participants can upload photos of their creative coloring to social media using the hashtag #ColorOurCollections and see others’ posts and explore the collections from far-flung institutions. This lets users explore and engage through hands-on experience with their collections from home. The Burke Library uploaded a coloring book chock full of images from the archives, rare books and manuscripts.

Image is the cover of a student publication called The Plastic Bag from 1968, image shows a rhinoceros being lifted by balloons with the title "the free university: lifting the weight"

Image from the Burke Library 2019 #ColorOurCollections Coloring Book, “The Plastic Bag” student literary publication, circa 1968 (from the Union Theological Seminary Records, Archives of the Burke Library at Union Theological Seminary, New York)

There are many wonderful coloring books available on this year’s Color Our Collections page from other libraries and institutions; our colleagues at the Beinecke Rare Book & Manuscript Library at Yale University uploaded a very fine selection of images, and the New York Academy of Medicine (the original founders of Color Our Collections) always include intriguing health-related and scientific images from their special collections. From outside the U.S., the Escuela Superior de Artes de Yucatán and Museum für Kunst und Gewerbe Hamburg coloring books were both beautiful. Having been raised going on canoe trips in the north woods of Minnesota, I was intrigued by the coloring book from the Grand Portage National Monument Archives, featuring images of Ojibwe artwork, birch bark canoes, and the region’s natural features.

Page from the Color Our Collections 2019 coloring book of the Grand Portage National Monument Archives. Image is a black-and-white edited photograph of a room in a museum featuring a birch bark canoe and indigenous artwork from Minnesota.

Page from the Color Our Collections 2019 coloring book of the Grand Portage National Monument Archives (

The Burke Library’s own on-site Color Our Collections event, featuring complimentary tea and snacks, drew about a dozen guests, including students from Union Theological Seminary and Columbia University, as well as a few library staff members who saw a poster for the event and decided to drop in on their lunch break to do some coloring.

Photograph from the Color Our Collections 2019 coloring event at the Burke Library at Union Theological Seminary, Columbia University. Image shows a table with popcorn and people's hands holding pencils and coloring in images on paper

Photograph from the Color Our Collections 2019 coloring event at the Burke Library at Union Theological Seminary, Columbia University

Participants seemed intrigued by the images from the Burke’s collections, engaged in lively conversation about the history of the Burke and its role in the university, and appreciated the fact that we hosted such a nice event open to the community. Some of them took extra coloring books to give to friends. We promoted the event on social media, and some of our remote followers commented requesting links to the site so they could download their own coloring books. Having been alerted to the existence of Color Our Collections last year by Myong Jin, the Collections Assistant at the Burke Library, I was very glad to have collaborated with her again put on our second such successful event this year, and look forward to hosting it again in 2020.

“Spirit of ’68” Part II: Research in the Administrative Files

By Jake Hearen, Student Research Assistant for the “Spirit of ’68” Exhibit

(Posted c/o Carolyn Bratnober, Public Services Librarian)

I came to Union a bit behind the power curve. My formal involvement within a theological framework is relatively new. I had not heard of James Cone until I visited in the spring; I promise his books are near the top of my reading list. So, I jumped at the opportunity when I heard about Special Collections needing assistance with researching for the upcoming exhibit.

I realized how daunting the project as I became oriented to the particulars of the project. At its focus was the Union Commission and its predecessor organization, The Free University of Union Theological Seminary. These initiatives resulted in response to the tensions between Columbia students and the administration brought about by the Vietnam War and the gentrification brought of Columbia’s expansion affected the Union community.

In its entirety, the project was a single archival box stuffed with materials mostly from the 1968-69 school year but other documents appeared to include several that came from far beyond the walls of Morningside Castle. There were a few student publications from Columbia regarding the student protests. There were even a few standout pieces such as an international gathering of college students and a manifesto from the 1969 National Black Economic Development Conference.

Archival folders in UTS2 Records, Administrative Files, Series 4B, Box 2, The Burke Library at Union Theological Seminary, Columbia University, New York NY

Archival folders in UTS2 Records, Administrative Files, Series 4B, Box 2, The Burke Library at Union Theological Seminary, Columbia University, New York NY

But what stood out most came from within the seminary. One letter, drafted by a student who witnessed seminarians severely injured while mediating between police and Columbia students, noted how our unique role as future chaplains and ministers allows us to instill change from within power structures more than any other vocation. Another document from the Union Commission itself highlighted the values of the seminary such as looking at the potential application of computers as technology evolves and the importance of the Burke Library.

This institutional memory clarified the gaps I felt between an earlier Union with activists like Dietrich Bonhoeffer and the later of James Cone. Those seminarians stood defiant with their peers before the atrocities beset upon an Eden and said no more. Their spirit of coming together against the destructive will of institutional corruption with compassion in their hearts is something that I pray I embolden over my next few years and the many more to come. -JH

“Spirit of ’68” Part I: Building an Exhibit…

The year 1968 has been memorialized recently with a slough of exhibits, events, new books, and other testimonials marking the 50th anniversaries of that year’s revolutionary upheavals, movements, and protests — Union Theological Seminary of course has a long history of resistance activism, and librarians at the Burke thought that Union should have its own display of archival materials from that historic year.

Recent memoirs and history monographs on the year 1968. Photograph by Carolyn Bratnober, The Burke Library at Union Theological Seminary (2018)

Recent memoirs and history monographs on the year 1968. Photograph by Carolyn Bratnober, The Burke Library at Union Theological Seminary (2018)

Little did I know, at the start of creating this exhibit, that Union underwent its own revolutionary changes that year, and indeed Union played a pivotal role in Columbia’s infamous 1968 student protests. My research for the 1968 exhibit unearthed some of this history, which I am excited to share via the Burke Blog as part of this series.

I knew about Columbia’s student protests from reading James Kunen’s memoir The Strawberry Statement many years ago. In April of 1968, students at Columbia occupied university buildings in protest of Columbia’s involvement in recruitment and weapons research for the War in Vietnam, and in the gentrification of Harlem in general. Columbia’s administration sought to quell the protests, which lasted several days and drew significant media attention, by calling law enforcement — whereupon, predictably, the police used brutal tactics against the students, throughout several days of violence. When I consulted the archives of Union Theological Seminary’s president’s office files, community photographs, and student publications from that time period, to see what I could find for our 1968 exhibit, I was heartened to see news coverage showing Union students involved in resistance during the Columbia protests, and even doing nonviolent interventions with the police. What surprised me was the fact that Union students and administrators came together on this issue, agreeing to cease all UTS classes for the remainder of the school year; there is a letter from President John C. Bennett included in the exhibit, officially halting classes and forming a series of alternative revolutionary teach-ins called the Free University in which students could assemble and strategize to build revolutionary momentum around the protests. I and my co-curators thought these events should definitely be the focal point of our exhibit on Union in ‘68. We conducted a great deal of research to get a closer look at these resistance efforts, which in fact catalyzed a series of liberatory changes at Union (which will be described in greater detail in subsequent blog posts by my collaborators) and we decided to call this exhibit “Spirit of ‘68: Revolution and Resistance at Union Theological Seminary.”

"Union Students Strike for Columbia" banner, UTS 2 Records, the Burke Library at Union Theological Seminary in the City of New York

“Union Students Strike for Columbia,” photograph (1968) UTS 2 Archive Records, the Burke Library at Union Theological Seminary in the City of New York

The whole exhibit was a team effort. Staff from the UTS Development Office, Emily Odom and Kevin Bentley, who possess extensive knowledge of Union alumni, helped with curation. It was their idea to host an event during the 50th Reunion of the UTS Class of 1968 in early October, when many alumni would be coming to town, which was truly a stroke of genius. We organized a nice reception to mark the opening of the exhibit on October 4th, and extended invitations throughout the Union community. Background research was a major part of putting the exhibit together, and the files from this time period in the UTS archives are extensive; thankfully, a Union student, Jake Hearen, offered to pitch in on the reading and research, and he became our indispensable Research Assistant for the project.

"Spirit of '68" exhibit display on level L1 of the Burke Library. Photo by Carolyn Bratnober, The Burke Library at Union Theological Seminary (2018).

“Spirit of ’68” exhibit display on level L1 of the Burke Library. Photo by Carolyn Bratnober, The Burke Library at Union Theological Seminary (2018).

Prior to starting the research for this exhibit, I had thought putting the physical display together was going to be the most challenging part; however, as it happened, members of the Conservation & Preservation Department for the Columbia University Libraries were happy to help construct photograph frames, book cradles, and display mounts for each of the items we selected. (After all, these materials are both unique and extremely fragile, and they deserve utmost care in their handling and display.) The entire team worked hard to create this exhibit, it was a massive undertaking and could definitely not have been done by one person alone.

For the opening reception, we also had the idea to involve the guests in collecting memories and metadata about the items on display– we put up a projector screen and projected a slideshow of images of documents and photographs from the time period, and invited guests to note in a nearby notebook if they recognized individuals by name, and dates and place info for events featured in the slideshow. We also included a table of books about 1968 for guests to browse (some of which are pictured here). It turned out to be quite an event, attended by alumni, faculty, librarians, and students, with sparkling conversation over desserts and champagne, and everyone seemed to enjoy the evening very much. Eventually I hope that research around these events will lead to broader understanding of this time period– I hope to include some of this crowd-sourced metadata in the archival Finding Aid, and to have many of the exhibit’s materials digitized for an online exhibit that will offer researchers the chance to see these items remotely in the years to come, and to continue exploring this revolutionary era in our community’s history.

Students and alumni at the "Spirit of '68" Exhibit Opening Reception (October 4, 2018). Photo by @UnionSeminary on Instagram (2018).

Students and alumni at the “Spirit of ’68” Exhibit Opening Reception (October 4, 2018). Photo by @UnionSeminary on Instagram (2018).


Coloring in the Burke With #ColorOurCollections

Coloring has long been, for me, a way to relax and unwind during stressful periods of my life–which is why I was intrigued to hear about a fun and fascinating global outreach initiative called #ColorOurCollections when Myong Jin, our Collections Specialist, forwarded me an email from the Ex Libris listserv. The New York Academy of Medicine started the initiative in 2016 as a way for libraries, museums, and cultural institutions around the world to take part in a collective week of coloring and exploring each other’s collections.

Original #ColorOurCollections promotion template, from (2018)

The way it was designed is simple: institutions share images from their books, archives, and other items in the form of black-and-white coloring pages. This year over 180 institutions participated in uploading coloring books, including libraries like Andover-Harvard Theological Library and the Beinecke Rare Book & Manuscript Library, as well as fascinating international museum sites like the National Iron & Steel Heritage Museum and academic institutions like Universidad de Buenos Aires. Anyone with an internet connection can go to and download free coloring books from these world-wide repositories, to be filled in with markers, colored pencils, or even paint. Coloring, long a beloved pastime for children, has recently become a trendy crafting hobby for adults, who find shading in the spaces of intricate images to be a relaxing and meditative activity that provides a nice respite during the day. Institutions can host coloring events as a way to engage with the public, and guests have an incentive to visit the museums and libraries to take part in the coloring activities. Participants can then upload photos of their coloring creations on social media platforms with the hashtag #ColorOurCollections. This way the public can “explore, color, and connect with libraries and their collections.”

Myong and I thought it would be fun to join this initiative and have our own day of coloring at the Burke Library. We have had coloring events here in the past (we really like coloring here at the Burke; living in New York can be stressful, and finding ways to unwind is important!) so we already had digital folder of coloring pages ready to go. Plus we uploaded some new ones too. Making a coloring page involves selecting an image from our collections — such as a photo in the archives, a folio of a rare book, and even (in this case) a hand-drawn cartoon that was submitted as part of a student’s thesis in the 1970’s — and scanning it into a digital file. Then, using PhotoShop to make the image black-and-white and adjust the Brightness and Contrast levels, we can turn the scanned image into a graphic with black outlines and white empty space to be filled in by our users.

“How a Coloring Book Page is Made,” Sample from photograph of Brown Tower, at the Burke Library at Union Theological Seminary (c. 2016)

We held our coloring event “Color In the Burke” (pun intended… get it? “Color In”?) on February 8th during the lunch hour, and our staff promoted it on Instagram, Facebook, the Union Theological Seminary Student Digest, and on paper flyers and digital signs throughout the building. We had lots of enthusiastic feedback from the community members who heard about the event, although we had lower attendance than expected on the actual day. Those who attended enjoyed coloring in images from some of the Burke’s rare folios. Our printed coloring books are still available at the Circulation Desk, and anyone who wants to see the Burke’s or any other coloring book can go online to and download any of the hundreds of books available online. They’re fun to look at — I like engravings and woodcuts myself, and I especially like the anatomical drawings from the medical libraries. We’ll gladly participate in #ColorOurCollections again next year.

Sample page from the Burke Library #ColorOurCollections 2018 Coloring Book

#LoveInAction: Voices in Social Justice



The Burke Library is excited about the start of it’s newest outreach project, #LoveInAction: Voices in Social Justice.  This project will train two Union Theological Seminary students in the theory and practice of oral history and archival research.  The students will be doing extensive research in the Union archives in order to prepare and conduct oral history interviews of alums during the Student Interracial Ministry reunion, a program that will happen in May 2017 (details TBD).  The participating students were selected through a competitive application process and we are thrilled to announce them here:

Kristine Chong
Tabatha Holley

We are so excited to have Kristine and Tabatha working with us on this amazing project for the next academic year!  We will be sure to post updates along the way.

Analyzing Scavenger Hunt Scores to Understand Library Familiarity Among Incoming Students


When I was a kid I loved scavenger hunts– the harder, the better! Whenever we took a field trip with school I preferred to explore a museum or new place with a scavenger hunt, rather than have someone show me around on a long tour of things I wouldn’t remember. Scavenger hunts contained mysteries that were fun to solve, making the places and objects I found more interesting when I finally found them.

A year ago the Burke Library decided to flip the script on the standard orientation tours held for incoming Union Theological Seminary students and created a scavenger hunt. The scavenger hunt was designed so that students can get introduced to the library by finding features in the books, the building, the computer stations, the online catalog, and the library manual. Each feature is something students need to know how to find, in order to make the most out of the library’s many resources while they are in studying towards their degrees. After doing the scavenger hunt, the idea is, students will know how to find the resources with ease once classes start.

This summer I am assessing student responses from last fall’s inaugural hunt in order to revamp the questions where necessary.  I am passionate about making sure students have easy access to all the resources they need for their studies. As a student, I know it can be frustrating to need a book or article urgently, but not know how to get it. Especially if one is a “new kid in town” and has never used the library before. The best time to learn how to access library materials is BEFORE classes begin, not the day before a reading assignment is due. That’s why it’s important that the scavenger hunt give students a thorough introduction to the library during orientation, so they can be fully prepared to gain access to the materials they need ahead of time.

From looking at the scavenger hunt results, it seems that new students last fall had the most trouble with understanding three particular types of library resources: periodicals, databases, and BorrowDirect/InterLibrary Loan options. This is understandable for many possible reasons: students who did their undergraduate studies many years ago might not have used any kind of online catalog before; students who are new to the Columbia University Libraries may never have heard of BorrowDirect or InterLibrary Loan and not know the difference between them or what they are for, etc. There are many factors that could be affecting so many students’ answers. I am looking forward to conducting further analysis on the results of the scavenger hunt and seeking to make sure my fellow students have access to the kinds of information materials they need for their studies here at Union.

Coloring in the Burke

In honor of the Burke’s first “coloring book,” created for a stress buster event the library is hosting for Union Theological students next week, I thought it would be nice to show off this sweet children’s coloring book from ca. 1920:

color post card_1

Color post card_3


Each page offers a new image (x3) to be painted in with the way it should be painted in attached.  The image below shows what the backs of the pages look like.  Children could paint these in, then tear along the perforated edges to mail off as a post card.
Color post card_4color post card_6color post card_7color post card_8My favorite aspect of this book are the instructions given at the end,”Read this before Painting the Pictures”:

Color post card_5

Before going into great detail about how each of the different skin tones should be painted, it instructs the child to “Be sure not to begin painting before you have cleaned your paint-box.  To do this let just a trickle of water from the tap run on to your paints while you wash them carefully with your brush.  Then dab away the water with a rag, except when the paints have got hard and dry – these you can leave full of water to soak a bit.”  Just to give you the reader a little perspective below is an image of my daughter’s paints.

color post card_9



This was not quite the neat image of a paint box conjured when reading those instructions!





This children’s coloring book is part of the Mission Research Library pamphlets held by the Burke Library, many of which are fully digitized and available on the Internet Archive.

Creation of the Burke coloring book referenced in the very beginning was inspired by the inaugural #ColorOurCollections week (February 1-5) started this year by The New York Academy of Science Library.