The Unparalleled Japanese Artist (Part III): Hisamitsu Noguchi, Admired by the French Filmmaker François Truffaut

As we have discussed earlier on this blog, film ephemera have evolved from the simple stereotypical style when there were lots of strict conventions, such as presenting the film title and a close-up still of the lead actor or actress, to a variety of elaborate designs. Beginning in the 1980s, as all aspects of film […]

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