Tag Archives: documentary film

Symposium – The Makino Collection at Columbia, 11/11/11

Today is the first day of November and that means we are only a little more than a week away from the first daylong symposium on the Makino Collection at Columbia.  On 11/11/11, we will welcome 8 panelists, 3 discussants, and many visitors to 403 Kent Hall (EALAC Lounge) at Columbia University to hear presentations and discussions at the symposium, "The Makino Collection at Columbia: The Present and Future of an Archive." These include my overview of the archive in process and three panels.

Yesterday, the Makino Symposium web page went live:

Here is the press release.

Eventually, papers and digital presentations will be added.

Here is the PROGRAM again…

9:00am-9:30am: Welcome and Opening Remarks
Paul Anderer, Jim Neal, Robert Hymes, Jim Cheng

Beth Katzoff, "The Makino Collection at Columbia: An Archive in Process"

Panel 1
10:00am-12:00pm: "The Makino Collection, Film Archives, and East Asian Cinema"

Weihong Bao, Assistant Professor, Department of East Asian Languages and Culture, Columbia University
"Pudovkin’s Fellow Travelers: The Introduction of Montage to China"

Theodore Hughes, The Korea Foundation Association Professor of Korean Studies in the Humanities, the Department of East Asian Languages and Culture, Columbia University
"Archive Phobia: Korean Cinema and its Colonial Pasts"

Reiko Ikegawa, Adjunct Lecturer, Jissen Women’s University & Otsuma Women’s University
"Japanese Female Director Sakane Tazuko, the Manchurian Film Association, and Archival Materials for Japanese Colonial Films"

Discussant: Jane Marie Gaines, Professor, School of the Arts – Film Division, Columbia University

Panel 2
1:30pm-3:30pm: "The Makino Collection and Early Japanese Cinema"

Joanne Bernardi, Associate Professor, Modern Languages and Cultures Department, University of Rochester
"Destination Japan: The Personal Collection as Alternative Archive"

Aaron Gerow, Associate Professor, Film Studies Program/East Asian Languages and Literatures, Yale University
"Makino Mamoru and Film Theory: The Case of Nakagawa Shigeaki"

Atsuko Oya, Staff Member, Film and Information Section, The Museum of Kyoto
"Onoe Matsunosuke and Materials Related to the Film, Chushingura (The Royal Forty-seven Ronin) in the Makino Mamoru Collection"

Discussant: Paul Anderer, Mack Professor of Humanities, Department of East Asian Languages and Cultures, Columbia University

3:30pm Coffee break

Panel 3
3:45pm-5:30pm: "The Makino Collection and Documentary Film"

Abé Mark Nornes, Chair of the Department of Screen Arts & Culture and Professor in Asian Languages and Cultures, University of Michigan
"Paul Rotha/Poru Ruta and the Politics of Translation"

Mika Tomita, Associate Professor, College of Image Arts and Sciences, Ritsumeikan University
"Aspects of Small-Gauge Film Culture in Prewar Japan"

Discussant: Hikari Hori, Assistant Professor, Japanese Film and Visual Culture, Department of East Asian Languages and Cultures, Columbia University

5:30pm-5:45pm: Concluding Remarks

6:00pm-7:30pm: Reception (Starr Library Reading Room)

The symposium is open to the public, but please R.S.V.P. to bsk9@columbia.edu

The symposium is sponsored by The Weatherhead East Asian Institute, the Japan Chamber of Commerce, the Department of East Asian Languages and Cultures, the C.V. Starr Foundation, C.V. Starr East Asian Library, the Donald Keene Center of Japanese Culture, and the School of the Arts-Film Division.

Amateur film and Small gauge film

Today, when teenagers and street demonstrators can document their activities through their phones and instantly upload photos or digital video or share them through email (and then blog about them), one cannot help but be struck by the transformative power of such technology.  In the archive, it is fascinating to see what can perhaps be argued as the birth of amateur film (film scholars can correct me on this). Through the early camera catalogs that offered the cameras for sale to those who could purchase them, one can see the potential access to film-making and what that might have meant.  The Pathé Baby home film system from the Pathé-Cinéma camera equipment company used cameras with smaller gauges and was first imported to Japan in 1924. The 8mm camera was introduced in 1932.

The Makino Collection includes Pathé bebī/パテーベビー camera catalogs from the 1930s (see above image) as well as many magazines and books related to amateur film in Japan. This is a  great area for historical research – whether one is interested in the technical aspects of early film-making, the social and political environment in which amateur films were made, or even the cultural aspects – the art of the films in Japan. The amateur film movement included people who made "home movies," and used small gauge cameras (kogata eiga/小型映画, 8mm, 9.5mm and 16mm).  Many of these filmmakers were also associated with the Proletarian Film League of Japan (日本プロレタリア映画同盟,/Nihon Puroretaria Eiga Dōmei or "Prokino"), as well as with documentary film (culture films (bunka eiga or kiroku eiga) in Japan. (See Nornes, Abé Mark (2003). Japanese Documentary Film: The Meiji Era through Hiroshima. Minneapolis: University of Minnesota Press). The Makino Collection does not contain the films (reels) made by Prokino, but it does have many of the group’s publications as well as writing by member and film critic Iwasaki Akira and others.  There are 11 archival boxes with 80 folders of amateur film items in the series covering amateur film and small gauge film in the Makino Collection (Series 6 Subseries 1). There are 12 archival boxes with 82 folders of proletarian film movement materials (Series 6 Subseries 12), and more than 20 archival boxes for documentary film materials (Series 6 Subseries 7). I am still adding to this section.

Here is the cover of a fantastic manga (comic), 8 miri Hacchan, by author Hara Yasuo/原やすをfrom Nov. 1946 about a boy who shoots his own film with his 8 millimeter camera. Here he captures the movement of a worm, what else might he learn about the world?

Here are 2 issues of a kogata eiga magazine, Baby Cinema, published the same year the Chrysler Building in NYC was completed – 1930.