Sometimes, despite the best efforts of an impressive team of catalogers and processing archivists, an error can cause a work to become nearly invisible. Such was the case when a curator happened across a folder in our Art Collections flat-files, labeled “Eebster, H T.”:
An unusual name indeed! Closer inspection revealed a beautiful piece of original cartoon art by cartoonist H.T. Webster. The “W” in his signature, at lower right, is sideways, looking almost as if it were added by another hand, caused the cataloger to believe the signature read “Eebster.” Comics historian Rick Marschall, however, notes that that tilted capital was a Webster hallmark from his earliest days. Continue reading
Columbia University’s Rare Book & Manuscript Library (RBML) has acquired the papers of artist S. Clay Wilson, a transgressive pioneer of underground comix, whose mark on creative movements extended from the Beats to punk.
Born and raised in Nebraska, Wilson lived briefly in New York in 1965, where he worked for the East Village Other. Fellow artist Robert Gustafson convinced him to head to San Francisco in 1968, where he drew for a number of underground publications before becoming known for his posters and comics. He would go on to become an icon of the counterculture, and a profound influence on his fellow underground artists, with R. Crumb going so far as to describe Wilson as the strongest and most original artist of their generation.