In the “Roar, Lion, Roar” exhibition on Columbia football (on view now at the Rare Book & Manuscript Library), we have a couple of documents on display illustrating “The Ban.” In November 1905, the University Committee on Student Organizations voted to abolish intercollegiate football at Columbia. Other colleges and universities similarly discontinued the sport following a season of repeated injuries and deaths. The Ban at Columbia lasted 10 years and when football returned in 1915, it was reestablished with a number of limitations (which teams Columbia could not play against, when the games would be scheduled, how many games, etc.) and on a probationary basis for the first five years.
Jack Kerouac came to Columbia in 1940 on a football scholarship. Unfortunately, the all-Massachusetts State player in high school suffered a broken leg in only his second game of his freshman year. In a memoir by C. Ogden Beresford (CC 1943) available at the University Archives, there is a first-person account of Kerouac after the tragic accident. Oggie, as he was known, recalled the freshman who shared a connecting room in Livingston Hall (now Wallach Hall) with his friend Jimmy Crump: Continue reading
In addition to the great teams, coaches and players in the history of Columbia football featured in our exhibition “Roar, Lion, Roar“, on view at the Rare Book & Manuscript Library, we wanted to show football from the fans’ point-of-view – the history of the experience of going to a game. In the exhibit we feature the different venues that have served as home fields for the Lions and also highlight the other traditions: the mascot, the school song, the cheerleaders and Homecoming. Continue reading
With the New York Yankees about to begin another playoff run, we just had to take this opportunity to highlight some interesting intersections between Columbia Football and the Yankees.
In the current Columbia Football exhibition, “Roar, Lion, Roar,” we highlight former Columbia Lion Lou Gehrig (CC 1925). Gehrig played freshmen football in the fall of 1921 and joined the varsity squad in fall of 1922. After playing baseball in the spring of 1923, Gehrig signed with the New York Yankees in the summer of 1923.
To mark the official opening of “Roar, Lion Roar: A Celebration of Columbia Football,” an exhibit in the Rare Book & Manuscript Library’s Chang Octagon, a moderated panel will discuss the arc of Columbia football from its inception in 1870 to present day. The discussion is being held in conjunction with the 150th anniversary of the establishment of College Football, and panelists will include former Columbia players and staff.
Organized by the University Archives, the event starts with the panel discussion in Butler 203 at 6pm and will end with a reception in the RBML on the Library’s sixth floor, where panelists and audience members can view the exhibit.
Registration is required and can be done by clicking here.
ROAR, LION, ROAR: A CELEBRATION OF COLUMBIA FOOTBALL
Focusing on players, coaches, playing fields, and the games won and lost, this exhibition traces the arc of Columbia’s football program from its inception in 1870 to the present day. As one of the oldest college programs in the country, Columbia Football has a rich and fascinating history which the University Archives is delighted to share and celebrate through this display of historical materials from our collection.
Our current exhibition “Enchanted Vision” showcases some of the works from the Arthur Rackham Collection held here at the RBML. Rackham, a British illustrator, illustrated 50 major works beginning with Rip Van Winkle in 1905, Alice in Wonderland, A Midsummer Night’s Dream, Winnie the Pooh, and other English and American classics. As a companion to this exhibition, the University Archives has put together some materials to highlight the Collection’s origin and history at Columbia. Continue reading
Columbia University Libraries/Information Services’ (CUL/IS) Rare Book & Manuscript Library (RBML) is pleased to announce the opening of Barney Rosset, Publisher-hero as Combat Photographer in China, an exhibition at Kunming City Museum, in Kunming City, Yunnan, China, which features a collection of RBML’s photographs of China from World War II by Grove Street Press publisher Barney Rosset.
Astrid Rosset at the opening of Barney Rosset, Publisher-Hero as Combat Photographer in China at Kunming City Museum (Photo: Arthur Bijur)
The exhibition, which opened on February 20, was co-curated by Bob Bergin, a former U.S. Foreign Service officer; Astrid Rosset, Barney Rosset’s widow, and Karla Nielsen, Curator of Literature at RBML. The curators chose approximately 100 images from the collection, which were then digitized by the RBML and printed by the Kunming City Museum.
The photographs in the exhibition were taken by Rosset during his time with the U.S. Army Signal Corps in China toward the end of World War II (1944-1945). In 1945, Rosset was tasked with documenting for the United States that Chinese soldiers were willing to fight. The photographs depict Chinese and American soldiers in training and combat, the devastation caused by the Ichi-Go operation (The Battle of Henan-Hunan-Guangxi), the largest Japanese land campaign of the war, the Japanese retreat, and the signing of the surrender in Nanking. Rosset joined the Chinese troops at Kweiyang, the deepest point of Japanese penetration before they began to retreat.
Little documentation from this period remains in China and the newly opened Kunming City Museum was eager to mount an exhibition of Rosset’s photographs. According to Bergin, Rosset (who passed away in 2012) wished that his photos of a difficult period in Chinese history could be shown to China’s new generations. The exhibition includes digital prints of his photographs, copies of letters he wrote home during that period, and documents that demonstrate Rosset’s interest in China throughout his life and career.
Rosset bought the fledgeling Grove Press in 1951 and transformed it into the leading publisher of avant-garde literature and political writing. Grove published Che Guevara, Henry Miller, Samuel Beckett, and Malcolm X.
Concurrent with the brick-and-mortar exhibition in China, the RBML has created an online exhibition containing many of these images, which can be viewed on the exhibition website.
Columbia University Libraries/Information Services (CUL/IS) is one of the top five academic research library systems in North America. The collections include over 12 million volumes, over 160,000 journals and serials, as well as extensive electronic resources, manuscripts, rare books, microforms, maps, and graphic and audio-visual materials. The services and collections are organized into 22 libraries and various academic technology centers, including affiliates. CUL/IS employs more than 450 professional and support staff. The website of the Libraries is the gateway to its services and resources: library.columbia.edu.
November 6, 2013 (Wednesday)
Butler Library, Room, 523, at 6:00 p.m.
The Rare Book & Manuscript Library (RBML) is Columbia’s principal repository for primary source collections. The range of collections in RBML span more than 4,000 years and comprise rare printed works, cylinder seals, cuneiform tablets, papyri, and Coptic ostraca; medieval and renaissance manuscripts; as well as art and realia. Some 500,000 printed books and 14 miles of manuscripts, personal papers, and records form the core of the RBML holdings. One can find literary manuscripts from the 14th century to the papers of authors Herman Wouk and Erica Jong. Archives as varied as the Carnegie Endowment for International Peace, Random House, NGOs such as Human Rights Watch and Amnesty International-USA, and the archives of Columbia University are available for research. The history of printing, graphic arts and the performing arts are strengths of RBML.
July 8 – September 13, 2013
The Rare Book and Manuscript Library is delighted to present a major exhibition of the work of Ernst Reichl (1900-1980), German-American book designer, active and prominent in New York/American publishing from the 1930s into the 1970s. A ‘whole book’ designer, Reichl believed in the harmonious totality of the package and the value of one design vision for all its parts, and became one of the top trade book designers, prolific and award-winning. He actively promoted the profession and high standards in book publishing, by example and through writing, teaching, and exhibitions. A serious reader (he read broadly and seldom designed without reading the manuscript), Reichl was also a scholar, and a fine writer. The latter activity was an unexpected discovery in his papers, given to Columbia by his widow, Miriam Reichl, and the catalyst for this exhibition.
Martha Scotford, exhibition curator, Professor Emeritus of Graphic Design, North Carolina State University (NCSU), assisted by Kezra Cornell; Master of Graphic Design candidate, NCSU. This exhibition has been supported by a Columbia Libraries Research Grant, and the Reese Fellowship for American Bibliography and the History of the Book in the Americas from the Bibliographical Society of America.
Note on exhibition title: from Reichl’s comment on the card for Joyce Carol Oates’ The Wheel of Love (Vanguard, 1970): “J.C.O. enjoys using typographic devices of all sorts to express herself… and many other oddities, which require a wide-awake typographer.”
For more information on the exhibition, please see: information.
For exhibition hours, please review: hours.