I recently made my monthly trip to the fantastic and inspiring Brooklyn Museum. (Their first free Saturdays are packed with great live performances, music, and other special events.)

I’ve walked the galleries frequently before, but did not really catch on to the fact that there is a Morris A. and Meyer Schapiro Wing. Needless to say, it is the Meyer Schapiro.

The wing was dedicated in 1993 and was part of the museum’s Master Plan designed by the team Arata Isozaki & Associates and James Stewart Polshek. The wing was endowed by Meyer’s brother, the banker and financier Morris Schapiro. The brothers grew up in the Brownsville and Flatbush neighborhoods of Brooklyn where their father worked as a paper and cordage wholesaler.

The history of the Brooklyn Museum’s building is extraordinary and well detailed on their website. It was designed by the architectural firm McKim, Mead & White and the museum’s archive has a suite of photographs available for view on-line.

I have always been a bit surprised by the bizarre entrance to the museum and their website gives a tantalizing gloss about it.

There was also growing interest in the 1930s in creating a more direct and “democratic” entrance into the Museum. In April 1934, while principals of McKim, Mead & White were out of the country, the Municipal Art Commission quickly approved the demolition of the monumental front staircase, greatly altering the architectural character of the Museum’s main facade.

Sounds clandestine to be sure.

Mckim, Mead & White were exponents of the Beaux-Arts architectural style so popular during that time. They also connect the Brooklyn Museum with Columbia University: Mckim, Mead & White also designed Columbia’s Morningside campus and individual buildings such as Low Memorial Library, Philosophy Hall, John Jay Hall, and Hamilton Hall on Columbia’s campus.