Archival materials have the curious ability to change their meanings over time. Scholars in different eras, regarding the same items, can interpret them in vastly different—sometimes even contradictory—ways. Largely, this is scholarship functioning as it was intended, as different methods and fields of inquiry develop and are modified in turn. Yet it is especially true of materials with a hint of mystery about them. The papers of Randolph Bourne, a brilliant interdisciplinary thinker who died in the 1918 influenza epidemic at just 32 years old, illustrate both of these points well. Continue reading
Chang Octagon Gallery | 7 March – 12 July 2019
Tbilisi, Ilia Zdanevich’s hometown, became a haven for artists of all stripes during the Russian Civil War. In this multi-lingual environment where feuds among artistic schools had been suspended, Zdanevich worked out the principles of “mature” zaum and a corresponding approach to book design.
This exhibition, curated by Thomas J. Kitson, begins before the First World War with Zdanevich’s apprenticeship as a propagandist for the Larionov group in competition with Futurist rivals and proceeds through masterworks he designed and typeset as a founding member of 41°.
We include a selection of works by his brother and collaborator, Kirill, and a display of interconnected items associated with other poets, composers, and visual artists who frequented the Fantastic Tavern, center of Tbilisi artistic life between 1917 and 1920.
The exhibition is part of “Displacement and Display: The Ongoing Revolutions of Ilia Zdanevich,” a Global Humanities project led by Professor Valentina Izmirlieva (Slavic Department) and sponsored by the Office of the Dean of Humanities at Columbia University.
The exhibition is co-sponsored by the Bakhmeteff Archive of the Rare Book and Manuscript Library and the Global Studies unit of Columbia University Libraries