Monthly Archives: August 2015

The Unparalleled Japanese Artist (Part I): Noriyoshi Ōrai and His Supreme Cinema Art, which Attracted the Filmmaker George Lucas Across the Sea

Until the 1960’s, the creation of film posters followed traditional rules, according to the distributors’ promotional direction. Their designers, who were mostly anonymous, had to comply with the film studio and its distributors. Since the 1980’s, movie poster designs in Japan have had a period of transition as some designers started to develop their own unique style for a specific series of cinemas or a specific director’s films. At a glance, these stylish film posters displayed everywhere in downtown reminded passers-by of the arrival of a new film series from a particular director.

The Makino Collection, Columbia University in the City of New York

Japanese film flier, designed by Noriyoshi Ōrai/Ohrai. RŌNINGAI (1990), directed by Kuroki Kazuo

When we discuss the names of noted Japanese movie poster creators, the person who first comes to mind is the illustrator Noriyoshi Ohrai (Ōrai) (1935-2015). He initially created his illustrations for a series of book covers and newspaper advertisements.

His first film poster artwork was for Shirō Moritani’s Nihonchinbotsu/Tidal Wave (1973). It was an era when new technologies including the internet had yet to emerge. His reputation as a film poster creator was brought before a wider audience by the film director George Lucas. One Star Wars illustration that Ōrai published in a Japanese science fiction magazine, which is his specialty genre, caught George Lucas’s eye. Lucas then commissioned Ōrai to design universal posters  for the Star Wars sequel: Star Wars Episode V: The Empire Strikes Back (1980). This poster triggered Ōrai’s wider reputation as an artist the world over. Since then, he has published his masterpiece illustrations prolifically , which have not been limited to film posters.

Ōrai created lots of artwork especially for the genre of scientific fiction as the cover art of major SF novels in Japan are usually Ōrai’s.  For cinema art, Ōrai’s another well-known artwork for film is the world renowned Japanese tokusatsu (lit. special filming: films featuring special effects) films, such as the Godzilla series. He created a series of Godzilla film posters since 1984, until the series was completed with Godzilla: Final Wars. His Godzilla artwork was highly commended as “looking more powerful than actual Godzilla in the movies” by its audiences.

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