Monthly Archives: March 2016

Treating the Van Ess Collection: When Less is More

Among the many treasures of the Burke Library, it is the Van Ess Collection that makes the book conservator’s heart beat fast. This collection of more than 500 volumes is unique in America for its high concentration of early European printed books in contemporary bindings. To the modern eye they are something out of a fairytale: hefty tomes with wooden boards covered in leather or alum-tawed skin, metal clasps holding the covers tightly sealed around massive paper text blocks that would make the largest phone book seem puny. Not bejeweled, with hardly a trace of gold leaf to be found, these bindings are treasures nonetheless. They were the workhorses of fifteenth- and sixteenth-century libraries and they remain in the same form, largely undisturbed, today, over 500 years later. (We should all age so well!)

An important history is preserved here, encoded in each binding’s structure and materials. Bookbinding in this period was done by hand, learned from a master and passed on to the next apprentice, and there were many practices that were highly regional, sometimes even particular to individual workshops. Structural features that are inconspicuous in the finished book, such as the manner of sewing or the attachment of the endsheets, or features that seem insignificant, such as whether the clasp’s catchplate is placed on the upper or lower cover, can actually provide crucial clues as to where and when the book was bound. This information is not found in any other aspect of the book. Binders of this period rarely signed their work and very few bindings are dated; furthermore, books were commonly sold as unbound sheets, so that the date and location of a book’s binding could be entirely independent of the date of printing.

Given the unique evidentiary value of bookbindings, their conservation poses some interesting challenges. How do we repair the volume that is prized for its unrepaired state? Future scholars will want to see the same features of the book that I want to see today. And yet these books are fragile–their structure may be intact but the materials have aged and cannot function like they used to. Many covers have become detached, or hang on to the text block by a single thread (literally). Wooden boards, weakened by insect damage and worn by centuries of use, have split. Covering materials are torn, spines are fragmentary, joints are splitting. If these books are to be consulted by scholars, some conservation intervention is required. It is my job to ensure that these magnificent bindings are preserved to tell their story to future scholars.

Recently I completed treatment of Alfonsi de Castro’s Ordinis Minorum Regularis Obseruantiæ almæ prouinciæ sancti Iacobi Aduersus omnes hæreses libri quatuordecim, printed in Cologne, Germany, in 1549.

Before Treatment

The book’s wooden boards are covered with alum-tawed skin, which has become rigid with age, and is torn along the joints and on the front cover. Opening the book strained the covering material along these tears. Without conservation, these tears would likely grow. An intervention to stabilize the cover can prevent future damage.

This photo taken during treatment shows the small pieces of Japanese tissue, a strong yet thin paper, that are used to bridge the two sides of the tear, preventing the tear from enlarging.

After TreatmentThe tissue “v-hinge” allows the covering material to move when the book is opened and closed, yet prevents the covering material from pulling away from the book any further and causing the tears to spread.

After Treatment

After treatment the book does not look very different from before treatment, however the cover is stabilized. All treatment is carefully documented, so that scholars studying the bindings can recognize the materials I added. Additionally, conservation treatments are carried out using techniques that allow them to be removed later without damage to the original.

“Of making many books…”

On Wednesday, Nov. 18, 2015, the Burke Library hosted a workshop, organized by Columbia Libraries’ Conservation Department, for New York City curators and conservators on the study of the provenance of historic bookbindings.

Dr. Nicholas Pickwoad, Director of Ligatus Research Centre at the University of the Arts London, led an all-day session featuring more than 70 books from the Burke Library’s celebrated van Ess Collection.

Matthew  blog post image 1The van Ess Collection is ideal for such study and is noted for its many well-preserved contemporary bindings from the fifteenth and sixteenth centuries. Because many of the books in the van Ess Collection were never “updated” — as was frequently the case when later owners or repositories would rebind or repair in ways that removed or obscured important earlier evidence of the books’ manufacture and use — important features revealing how they were constructed have been preserved, which in turn provides many insights into the technical, artistic, social, and economic spheres in  which bookmaking played such an important role.

 

Matthew blog post image 2Features preserved in the van Ess bindings offer important evidence concerning their provenance and date (where and when they were bound), showing varieties of regional and local practices and patterns. Dr. Pickwoad led the group through a careful exploration of van Ess volumes, examining features such as sewing styles, board material, and board covering to infer where and when particular bindings might have been made. Researchers utilizing printed books in their research — in many cases the most abundant type of evidence available to scholars — will find in the van Ess collection a rich body of evidence for study of the early modern world.

The Ligatus Centre has created a new resource for the description of historic bookbindings: The Language of Bindings (LoB) Thesarus. This important tool will be a standard resource for scholars, librarians, and others who work with rare books.

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