Category Archives: Uncategorized

Avery Library Welcomes Students

avery.2008-04-30.DSC_0122Avery Library welcomes new and returning students! We hope you had a great summer and are ready for the new semester.

Our hours for the Fall semester are here.

Our reference hours are here. When we are not available for reference questions, click on “Ask a Librarian” to be connected to online chat reference.

 

 

 

We are giving tours and orientations of the Library and its resources.

Tours:
The tours take about 45 minutes & are limited to 15 people / tour.
Please sign-up at the Avery Library Service Desk & meet at the Service Desk.

Wed.   9/7      12noon
Fri.       9/9       12noon
Mon.    9/12     12noon
Tues.    9/13     12noon
Wed.   9/14     1pm
Fri.       9/16     1pm
Mon.    9/19     12noon
Wed.   9/21     12noon
Fri.       9/23     12noon

Orientation to the Drawings & Archives Department:
The session takes about 45 minutes.
There is no sign-up—simply come to the Wallach Seminar Room, Wallach Study  Center for Art & Architecture (next to the entrance to Drawings & Archives)

Wed.   9/14     12noon
Fri.       9/16     12noon
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Scheduled 45-minute library tours as part of School/Departmental orientations:
Historic Preservation
Tues.    8/30     1pm (2 tours)

Urban Planning
Wed.   8/31     11:45am (2 tours)
Wed.   8/31     12:15pm (2 tours)

Art History
Thurs. 9/1        12noon (PhDs)
Thurs. 9/1        2pm (Master’s)
Thurs. 9/1        3pm (Master’s/critical & curatorial studies)

Spring 2016 Core Architecture Studio II visits

On January 27th, Avery Library welcomed students from the Spring 2016 Core Architecture Studio II in the Graduate School of Architecture, Planning and Preservation. This semester, the required studio explores the “architectural form and identity of a 21st-century library” as well as trends in architectural representation.

Teresa Harris, Curator of Classics (Rare Books), with students from the Spring 2016 Core Architecture Studio II

Avery Classics presented a selection of books that a traced the use of section drawings from the Renaissance through to the 21st century. Students viewed numerous examples ranging from the first printed architectural drawing – a perspectival section through a round temple of Venus – in the Hypnerotomachia Poliphili (1499) to Pierre Patte’s groundbreaking section of a town street showing sewers and water supplies in addition to the buildings flanking the thoroughfare (1749). The session culminated in Olafur Elliasson’s innovative laser-cut volume reproducing his own house in Copenhagen through a series of vertical cross-sections at a scale of 85:1.

Janet Parks, Curator of Drawings & Archives, with students from the Spring 2016 Core Architecture Studio II

In Drawings and Archives, the students saw an overview of library designs from Carrère & Hastings’s masterpiece, the New York Public Library at 42nd Street to the sleek modernism of Harrison and Abramovitz’s Library for the Institute for Advanced Study at Princeton University. Charles Platt’s library for the University of Illinois was included, featuring stunning section and detail drawings of this Georgian style library. Capping the group were several drawings by Frank Lloyd Wright for the Roux Library at Florida Southern College. The drawings were selected to highlight the transition of space within the libraries.

Avery in “Saving Place” exhibit at MCNY

Jefferson-Market3

Giorgio Cavaglieri, Jefferson Market Library elevation, pencil on tracing paper.

Saving Place: Fifty Years of New York City Landmarks

Museum of the City of New York, New York
April 21-September 13, 2015

Many believe New York’s pioneering Landmarks Law, enacted in April 1965, was the key factor in the rebirth of New York in the final quarter of the 20th century. It ensured that huge swaths of the city remain a rich complex of new and old. It also ensured the creative re-use of countless buildings. At the same time, a new body of important architecture has emerged as architects, clients, and the Landmarks Preservation Commission devised innovative solutions for the renovation of landmark buildings and for new buildings in historic districts.

Saving Place is presented to celebrate the law’s 50th anniversary.

Avery Drawings & Archives has 6 drawings and 1 typescript by Talbot Hamlin in the exhibition while Avery Classics has a real estate brochure for 2 Fifth Avenue, NYC, on display2-Fifth-Ave-real-estate-brochure-cover2

 

Exhibition website

Press release

Architect magazine article

6sqft article

 Opening Night Symposium video

New York Times review

Frank Lloyd Wright Buildings in Legos

Here is an interesting New York Times article on Adam Reed Tucker building a model of Frank Lloyd Wright’s Taliesin West with Legos:Taliesin West

 

Check out the Frank Lloyd Wright Lego sets we have at Avery Library:

Avery Art Properties: Chinese Buddhist Sculptures at the Nassau County Museum of Art

Relief with Guardian Figure

Relief with Guardian Figure, from the Lianhua Cave, Longmen, China, late Northern Wei dynasty, dated 533, limestone with traces of polychromy, 24 1/8 x 11 x 4 1/2 in. (61.2 x 27.8 x 11.4 cm), Art Properties, Avery Architectural & Fine Arts Library, Columbia University in the City of New York, Sackler Collections (S1100).

Art Properties has loaned 10 Buddhist stone sculptures and ink rubbings taken from 2 of these works to the exhibition China Then and Now, which runs from November 22, 2014 to March 8, 2015, at the Nassau County Museum of Art in Roslyn Harbor, NY. These Chinese sculptures date from the Northern Wei (386-534) to the Tang dynasties (618-907), and some of the works in the collection are believed to have been excavated from the 6th-century Buddhist cave temples at Xiangtangshan in northern China. All of these works are part of our extensive holdings in the Sackler Collections, donated to Columbia University by the physician and art collector Dr. Arthur M. Sackler. They recently had traveled as part of the large exhibition Treasures Rediscovered: Chinese Stone Sculptures from the Sackler Collections at Columbia University, held at the Wallach Art Gallery in 2008 and in other venues across the United States. The current exhibition, China Then and Now, brings our sculptures together with blue-and-white porcelains of the Ming and Qing dynasties (17th-18th centuries) loaned by the Frick Collection in New York City and contemporary ink paintings by the Beijing artist Liu Dan (b. 1953). -by Roberto C. Ferrari, Curator of Art Properties

Exhibition website

Wallach Treasures Rediscovered website

Univ. of Arkansas students at Avery

On September 18 and 19, Avery Drawings and Archives hosted a senior studio class from the University of Arkansas’ Fay Jones School of Architecture. They are preparing documentation and interpretation materials on Frank Lloyd Wright’s Bachman-Wilson house, which has been disassembled and is to be reconstructed on the grounds of the Crystal Bridges Museum of American Art in Northwest Arkansas.

http://crystalbridges.org/architecture/frank-lloyd-wright/

In addition to the Bachman-Wilson house, the students (shown here with Professor Gregory Herman) studied other Usonian houses by Wright, in order to develop a greater depth of understanding and context for the design of the Bachman-Wilson house.

photo 5

Left to right: Ryan Hamrick, Prof. Greg Herman, Kyle Heflin

photo 4

left to right: Grant Gilliard, Andrew Schalk

Arkansas students at Avery

standing, left to right: Alex Little, Brian Robinson seated, left to right: Prof. Greg Herman, Paulina Paz, Ayesha Erkin

Avery Library Acquires Jane C. Loeffler Embassy Archives

EdwardDurrellStoneNewDelhi Embassy

Edward Durell Stone. US Embassy, New Delhi (1959)

Columbia University Libraries/Information Services Avery Architectural & Fine Arts Library is pleased to announce the acquisition of The Jane C. Loeffler Collection of Research Papers on American Embassies, a collection of documents, photos, architectural drawings, interviews and research papers, donated to the library by architectural historian Jane C. Loeffler of Washington, D.C. “It is gratifying to save valuable history from oblivion and even better to find it a proper home where others can build upon it,” said Loeffler.

“We are thrilled to receive this important body of materials especially at this moment when international affairs and the
American diplomatic presence are of such critical importance,” said Carole Ann Fabian, Director, Avery Library.
“We look forward to intensive study of this archive by the research community.”

Dr. Loeffler will visit Columbia to deliver a keynote address at the Architecture and Diplomacy: Transatlantic Approaches
symposium on Tuesday, September 9th, 2014. Other speakers and panelists will include Jean-Louis Cohen, Professor of
the History of Architecture, NYU-IFA; Amale Andraos, Dean, GSAPP; and professors Kadambari Baxi, Barnard College;
Craig Konyk, GSAPP; Jorge Otero-Pailo, GSAPP; Victoria Phillips, Columbia University; as well as Casey Jones,
Deputy Director, U.S. Department of State, Bureau of Overseas Buildings Operations.

Columbia Spectator article
Columbia Libraries press release
Symposium

Avery Library Remembers David Rosand (1938-2014)

rosandDavid Rosand was an esteemed scholar, beloved teacher and a true supporter of Avery Library.

He was the Meyer Schapiro Professor emeritus of Art History at Columbia University and a graduate of Columbia College. He received his PhD from Columbia in 1965 and was awarded a Fulbright fellowship in 1961 and a Guggenheim fellowship in 1974.

David joined the Columbia University Department of Art History and Archaeology faculty in 1964 and served twice as chairman of the Department.  He served as chair of the Society of Fellows in the Humanities, director of Art Humanities, chair of the Department’s Wallach Art Gallery Committee and served on the Avery Library Joint Faculty Committee.

His scholarship focused on the Italian Renaissance and on the history and criticism of the graphic arts.  His publications in the field include Titian and the Venetian Woodcut (1976—co-authored with Michelangelo Muraro), Titian (1978), Painting in Cinquecento Venice: Titian, Veronese, Tintoretto (1982; rev. ed. 1997), The Meaning of the Mark: Leonardo and Titian (1988), Myths of Venice: The Figuration of a State (2001), and Drawing Acts: Studies in Graphic Expression and Representation (2002).  In the area of American painting he has published Robert Motherwell on Paper: Drawings, Prints, Collages (1997) which accompanied an exhibition in the Wallach Art Gallery and The Invention of Painting in America (2004). His most recent book, Véronèse: Painting in cinquecento Venice was published in 2012.

He was a member of the American Academy of Arts and Sciences, the Istituto Veneto di Scienze, Lettere ed Arti and the Ateneo Veneto in Venice, and served for many years on the board of the Renaissance Society of America, which honored him with the Paul Oskar Kristeller Lifetime Achievement Award (2007).  He was project director for Save Venice, Inc., an organization dedicated to the conservation of the art and monuments of Venice.

New York Times obituary
New York Times tribute

Reed College online streaming-audio lecture: “Things Never Seen: Graphic Fantasy and the Dreaming Draftsman” (October 26, 2009)